Melbourne: street + documentary
Street photography is closely associated with a snapshot aesthetic or more broadly a snapshot culture that breaks down the borders between the private and public realms.
Street photography is closely associated with a snapshot aesthetic or more broadly a snapshot culture that breaks down the borders between the private and public realms.
I was stationed at the Kew Depot in the mid-to late 1970s, when I was working on the Melbourne trams and studying photography at Photography Studies College (PSC) in South Melbourne (now Southbank). I was studying part time at PSC just after its name changed to PSC from the Gallery School of Photographic Art
The first snapshot section of The Bowden Archives and Other Marginalia will start with some of the tramway photos. These will build around this one in the previous post, and they will be based on some more of the pictures … Read More
As mentioned in an earlier post of this blog the first section of The Bowden Archives and Other Marginalia consists of street photography or snapshots that were made made in Melbourne and Adelaide with 35mm cameras and black and white … Read More
In looking over the non-Bowden 1980’s photographic archives for the proposed book on Adelaide photography I realised that I was in the process of making a shift from the then fashionable street style photography of the 1970s to a more topographic … Read More
After talking to a prospective publisher, the title of the manuscript has been changed from Bowden Archives and other Marginalia to The Bowden Archives. This cut down means that the book will be about Bowden as the non-Bowden images–eg., the … Read More
One of the places that I used to visit and photograph was Port Adelaide and along the Port River estuary. I was initially attracted to the architecture of the industrial and commercial sites along and nearby the polluted Port … Read More
As Adelaide was in the process of becoming a post-industrial city haunted by the decline of its manufacturing industry and growing working-class disaffection its only genuine gathering place–or piazza— for people was the beach side suburb of Glenelg. It was … Read More
Past Futures is the working title for the third section of The Bowden Archives and Other Marginalia. This section maps the space outside of Adelaide’s CBD and Bowden-Brompton. It represents an escape from the confines of the city, sometimes in … Read More
These are a couple more Bowden portraits that supplement the ones currently in the Bowden portfolio on my website. I didn’t do many formal portraits. As I mentioned in the Preface I worked part time at Conroys Smallgoods in Bowden to buy … Read More